Department of Culture and Aesthetics, Frescativägen 22B-26, Stockholm University
An autobiographical novel about growing up gay in a working-class town in Picardy, The End of Eddy at once captures the violence and desperation of life in a French factory town and provides a sensitive portrait of boyhood and sexual awakening.
The author, Édouard Louis, is a novelist and the editor of a scholarly work on Pierre Bourdieu. He is the coauthor, with the philosopher Geoffroy de Lagasnerie, of “Manifesto for an Intellectual and Political Counteroffensive,” published in English by the Los Angeles Review of Books.
Michael Lucey, a member of the Representations editorial board, is a professor of French literature at the University of California, Berkeley. He is the author of Never Say I: Sexuality and the First Person in Colette, Gide, and Proust and The Misfit of the Family: Balzac and the Social Forms of Sexuality and translator of Returning to Reims by Didier Eribon.
Colleen Lye is an affiliated faculty member of the UC Berkeley’s Designated Emphasis in Critical Theory. She is on the boards of Representations, Inter-Asia Cultural Studies and Verge, a new journal on “Global Asias.” She has edited several special journal issues on financialization and the culture industry, peripheral realisms, forms of Asia, and the public university in crisis. One special issue she coedited with Chris Newfield collated activist writings from UC students involved in the 2009 movement against tuition hikes. Her current book-in-progress explores the post-70s crisis in world capitalism through the prism of the Asian American novel.
Workshop | April 21 | 11 a.m.-3 p.m. | 3335 Dwinelle Hall, UC Berkeley
Join Representations editorial co-chair Niklaus Largier in this half-day workshop sponsored by the UC Berkeley Center for the Study of Religion, the Department of German, and the Department of Comparative Literature.
Harsha Ram (UC Berkeley), Revolutionary Utopia: Tatlin and Khlebnikov
Niklaus Largier (UC Berkeley), Against Projects: The Utopia of Essayism in Musil and
Amy Hollywood (Harvard University), Antinomian A-topia: Writing Manuscript Textuality in the Poetry and Prose of Susan Howe
Kirill Chepurin (National Research University Higher School of Economics, Moscow), The Utopian No – or, Idealism and Utopia
Alex Dubilet (Vanderbilt University), Ground(lessness) and Utopia
New from Jeffrey Knapp:
Oxford University Press 2017
Shakespeare’s plays were immensely popular in their own day–so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, author Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences.
Jeffrey Knapp is the Eggers Professor of English at the University of California, Berkeley, and a long-term member of the Representations editorial board. He is the author of several books, including An Empire Nowhere: England and America from Utopia to The Tempest (1992), Shakespeare’s Tribe: Church, Nation, and Theater in Renaissance England (2002), and Shakespeare Only (2009). His essay “Throw That Junk! The Art of the Movie in Citizen Kane,“ included in Pleasing Everyone, first appeared in Representations 122 (Spring 2013)
Representations editor Thomas Laqueur wins AHA’s Mosse Prize & McGill’s Cundill Prize for The Work of the Dead
Thomas W. Laqueur, Helen Fawcett Professor of History at UC Berkeley, has been selected as the winner of the George L. Mosse Prize by the American Historical Association and the Cundill Prize in Historical Literature by McGill University. Both honors are in recognition of Laqueur’s book The Work of the Dead: A Cultural History of Mortal Remains (Princeton University Press, 2015).
Calling him a “modern Charon,” the Mosse Prize committee noted:
Laqueur’s haunting book brilliantly tackles a fundamental historical question: how humanity relates to the dead. His magisterial account establishes that throughout the premodern and modern periods, the world has never been disenchanted; the dead have always had agency in defining what it means to be human.
Laqueur will be awarded the Mosse Prize at the AHA’s 131st Annual Meeting in Denver, Jan. 5-8, 2017. In winning the Cundill Prize, Laqueur also receved an award of $75,000.
by Weihong Bao
Wednesday, Oct 19, 2016 | 12:00 pm to 1:00 pm
Geballe Room, 220 Stephens Hall, UC Berkeley
Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, in Fiery Cinema Weihong Bao constructs an archaeology of Chinese media culture. She grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject.
A major contribution to the theory and history of media, Fiery Cinema rethinks the nexus of affect and medium to offer key insights into the relationship of cinema to the public sphere and the making of the masses.
Weihong Bao is associate professor of East Asian Languages and Cultures and Film and Media at UC Berkeley. Her short essay “From Duration to Temporization: Rethinking Time and Space for Durational Art” will appear in the fall issue of Representations (the special issue “Time Zones: Durational Art and Its Contexts”), available next month.
After an introduction by Andrew Jones (East Asian Languages and Cultures, UC Berkeley, and Representations editorial board member), Bao will speak briefly about her work and then open the floor for discussion.
Oct 7 – Oct 8, 2016
Faculty Club, University of California Berkeley
Featuring Representations editorial board members Alexei Yurchak and David Bates, along with Camille Robcis, Nima Bassiri, Ethel Matala de Mazza, Danilo Scholz, Rebecca Gaydos, and Stefanos Geroulanos
The relationship between biological concepts and political concepts is longstanding — the “body politic” has always been a dominant metaphor for theorizations of political community. However, organicist models of the state have been thoroughly tainted by 19th and early 20th century ideas of unity, homogeneity, and racial purity. Today, bio-politics is a ubiquitous frame for analysis, yet the biological dimension is often underdeveloped. This workshop takes as its starting point the idea that modern biological concepts provide important resources for thinking about organization, order, control, and other key political problems. Papers will explore new links between bodies and political configurations, on the ground and within theoretical discourses. For more information, visit the workshop web page.
Supported by the UC Berkeley Department of Rhetoric
On Friday, August 12, T. J. Clark will give one of two keynote lectures for the 24th Annual Conference of the North American Society for the Study of Romanticism (NASSR). The lecture, “Too Deep for the Vulgar: Hazlitt on Turner and Blake,” will take place at 6 pm in room 2050 of the Valley Life Sciences Building at UC Berkeley.
Clark is Professor Emeritus of Modern Art at Berkeley and was a long-time member of the Representations editorial board. His books and other writings, several of which found form originally in Representations, have influenced a generation of scholars.
The NASSR conference will take place from August 11 to 14 at various venues in Berkeley. More information and a full program are available at http://nassrberkeley2016.wordpress.com/.
Representations board members Stephen Best and Elisa Tamarkin, Associate Professors of English at UC Berkeley, will participate in an upcoming conference on “Maroons and World History.” The conference will take place on Thursday, May 5, at the Bancroft Hotel. Papers will be pre-circulated and registration is free, but required. More information and schedule details can be found here.
Other participants in the conference include Bryan Wagner (Associate Professor of English at UC Berkeley), whose essay “Disarmed and Dangerous: The Strange Career of Bras-Coupéé” appeared in Representations 92 (Fall 2005).