by Bishnupriya Ghosh
In this new essay Bishnupriya Ghosh theorizes a constellation of “high-rise horror” films from contemporary Bollywood as a cinema of apprehension. Ghosh elaborates an emergent “techno-aesthetic of security” that plunges spectators into an immersive experience of horror, orienting them to the violence of acute dispossession (of lands and livelihoods) catalyzed by current speculative financial globalization.
BISHNUPRIYA GHOSH teaches postcolonial theory, literature, and global media studies in the English Department of the University of California, Santa Barbara. She is currently working on two monographs on speculative knowledge and globalization: The Unhomely Sense: Spectral Cinemas of Globalization and The Virus Touch: Living with Epidemics.
This essay is from Representations‘ current special issue Financialization and the Culture Industry. The introduction to the issue by C. D. Blanton, Colleen Lye, and Kent Puckett, is available online free of charge.