A series of events with Joseph Leo Koerner
March 15, 16, & 17
sponsored by the Townsend Center for the Humanities
at UC Berkeley
Lecture: Art in a State of Siege: Bosch in Retrospect
In this lecture, Koerner examines Hieronymus Bosch’s Garden of Delights — a work notorious for its portrayal of nude men and women cavorting with beasts in a verdant landscape. He approaches the painting as a representation of a world without history and without law, whose imagery attracted significant attention during similarly lawless historical periods. The discussion emerges from a larger project in which Koerner explores the relationship between art and freedom under a range of emergency “states of siege,” including apartheid South Africa and Nazi Germany.
Joseph Leo Koerner, Thomas Professor of History of Art and Architecture and Senior Fellow, Society of Fellows at Harvard University, is the author of Caspar David Friedrich and the Subject of Landscape and Dürer’s Hands. He wrote and presented the three-part television series Northern Renaissance and the documentary Vienna: City of Dreams, both produced by the BBC. Koerner’s work has been influential for decades; his essay “The Mortification of the Image: Death as a Hermenuetic in Hans Baldung Grien” appeared in Representations 10 (1985).
Symposium on Art in a State of Siege
Joseph Leo Koerner, joins a panel of scholars to discuss the role of art in a society in which freedom is radically curtailed, such as Nazi Germany and apartheid South Africa. Panelists engage with audience members in lively discussion about creative expression under an emergency “state of siege.”
Participants: Whitney Davis, History of Art, UC Berkeley; Joseph Leo Koerner, History of Art and Architecture, Harvard University; James Porter, Classics and Rhetoric, UC Berkeley; and Jane Taylor, Centre for Humanities Research, University of the Western Cape
Film Screening: The Burning Child
Joseph Leo Koerner screens a preview of his documentary film The Burning Child (2017, 120 mins). Through interviews, testimony, and archival footage, the film explores Koerner’s return to Vienna, the birthplace of his father, painter Henry Koerner, and is a meditation on the concepts of home and homemaking that emerged amidst the turbulence of 20th-century Vienna. With Q+A to follow moderated by Winnie Wong.
Tickets available at the BAMPFA boxoffice or at bampfa.org.