Quirk Historicism and the End(s) of Art History: A One-Day Symposium
Organized by Nicholas Mathew and Mary Ann Smart
Saturday, Nov. 1, UC Berkeley
Geballe Room, 220 Stephens Hall, Townsend Center for the Humanities, UC Berkeley
In many humanities disciplines, the past twenty years or so have witnessed a dramatic expansion in the types of objects and ideas that can be meaningfully invoked in the course of historical study. One consequence of this has been a new reveling in the allure of objets trouvés or historical micronarratives – the conversion of the obscurity, strangeness, and distance of historical debris into a form of rhetoric, which frequently acts as a substitute for more conventional forms of argument or exposition. The emergence of this tendency, which we’re calling Quirk Historicism, is thus partly a story about how historical study has been turned into a kind of aesthetic experience.
Participants include Nicholas Mathew, Mary Ann Smart, James Davies, Emily Dolan, Deirdre Loughridge, James Currie, Benjamin Piekut, Aoife Monks, Ellen Lockhart, Benjamin Walton, Thomas Laqueur, and Alan Tansman.
To find out more, visit the conference website at http://quirkhistoricism.wordpress.com.