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Richard L. Stein, "Remember the Téméraire: Turner's Memorial of 1839," Summer 1985, 11: 165-200.

Susan Stewart, "Garden Agon," Spring 1998, 62: 111-43.

Downing A. Thomas, "Architectural Visions of Lyric Theater and Spectatorship in Late-Eighteenth-Century France, Fall 1995, 52: 52-75.

Lisa Tickner, "Vanessa Bell: Studland Beach, Domesticity, and 'Significant Form,'" Winter 1999, 65: 63-92.

Stephen Tifft, "Drôle de Guerre: Renior, Farce, and the Fall of France," Spring 1992, 38: 131-65.

Kathryn A. Tuma, "Cézanne and Lucretius at the Red Rock ," Spring 2002, 78: 56-85.

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Monika Wagner, "Berlin Urban Spaces as Social Surfaces: Machine Aesthetics and Surface Texture," Spring 2008, 102: 53-75.

Linda Williams, "Power, Pleasure, and Perversion: Sadomasochistic Film Pornography," Summer 1989, 27: 37-65.

Wu Hung, "The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art," Spring 1994, 46: 58-86.

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