Lynn Hunt, "Hercules and the Radical Image in the French Revolution," Spring 1983, 2: 95-117.

Sarah Lochlann Jain, "Living in Prognosis: Toward an Elegiac Politics," Spring 2007, 77-92.

David E. James, "Rock and Roll in Representations of the Invasion of Vietnam," Winter 1990, 29: 78-98.

James H. Johnson, "Versailles, Meet Les Halles: Masks, Carnival, and the French Revolution," Winter 2001, 73: 89-116.

Steven Justice, "Inquisition, Speech, and Writing: A Case from Late-Medieval Norwich," Fall 1994, 48: 1-29.

Ben Kafka, "The Demon of Writing: Paperwork, Public Safety, and the Reign of Terror," Spring 2007, 98: 1-24.

Victoria Kahn, "Virtù and the Example of Agathocles in Machiavelli's Prince," Winter 1986, 13: 63-83.

Victoria Kahn, "Hamlet or Hecuba: Carl Schmitt’s Decision," Summer 2003, 83: 67-96.

Catherine Gunther Kodat, "Saving Private Property: Steven Spielberg's American Dreamworks," Summer 2000, 71: 77-105.

Dominick LaCapra, "Ideology and Critique in Dickens's Bleak House," Spring 1984, 6: 116-23. 

Eric Lott, "The First Boomer: Bill Clinton, George W., and Fictions of State," Fall 2003, 84: 100-122.

Michael Lucey, "Legal Melancholy: Balzac's Eugénie Grandet and the Napoleonic Code," Fall 2001, 76: 1-26.

Eric S. Mallin, "Emulous Factions and the Collapse of Chivalry: Trolius and Cressida," Winter 1990, 29: 145-79.

Susan Maslan, "Resisting Representation: Theater and Democracy in Revolutionary France," Fall 1995, 52: 27-51.

Tom McDonough, "Raymond Hains's 'France in Shreds' and the Politics of Décollage," Spring 2005, 90: 75-97.

Jeffrey Mehlman, "Writing and Deference: The Politics of Literary Adulation," Summer 1986, 15: 1-14. 

Thomas R. Metcalf, "Architecture and the Representation of Empire: India, 1860-1910," Spring 1984, 6: 37-65.

Walter Benn Michaels, "An American Tragedy, or the Promise of American Life," Winter 1989, 25: 71-98.

D. A. Miller, "Discipline in Different Voices: Bureaucracy, Police, Family, and Bleak House," Winter 1983, 1: 59-90. 

D. A. Miller, "Under Capricorn," Spring 1984, 6: 124-29. 

W. J. T. Mitchell, "The Politics of Genre: Space and Time in Lessing's Laocoon," Spring 1984, 6: 98-115. 

Kathleen Moran and Michael Rogin, "'What's the Matter with Capra?': Sullivan's Travels and the Popular Front," Summer 2000, 71: 106-34.

Franco Moretti, "The Comfort of Civilization" (trans. Albert Sbragia), Fall 1985, 12: 115-39.

Rosalind C. Morris, "Imperial Personal: The Politics and Aesthetics of Translation in British Malaya," Summer 2007, 99: 159-193.

Paul Morrison, "Paul de Man: Resistance and Collaboration," Fall 1990, 32: 50-74.

Deak Nabers, "The Problem of Revolution in the Age of Slavery: Clotel, Fiction, and the Government of Man," Summer 2005, 91: 84-108.

Sandy Petrey, "Pears in History," Summer 1991, 35: 52-71.

Andrei Plesu, "Intellectual Life Under Dictatorship," Winter 1995, 49: 61-71.

John Plotz, "Crowd Power: Chartism, Carlyle, and the Victorian Public Sphere," Spring 2000, 70: 87-114.

Frederick Pollack, "Theses on Intellectuals," Summer 1992, 39: 71-79.

Jed Rasula, "Nietzsche in the Nursery: Naïve Classics and Surrogate Parents in Postwar American Cultural Debates," Winter 1990, 29: 50-77.

Michael Rogin, "'Democracy and Burnt Cork': The End of Blackface and the Beginning of Civil Rights," Spring 1994, 46: 1-34.

Michael Rogin, "Kiss Me Deadly: Communism, Motherhood, and Cold War Movies," Spring 1984, 6: 1-36.

Michael Rogin, "'Make My Day!':  Spectacle as Amnesia in Imperial Politics," Winter 1990, 29: 99-123.

Michael Rogin, "'The Sword Became a Flashing Vision': D. W. Griffith's The Birth of a Nation," Winter 1985, 9: 150-95.

Jeffrey T. Schnapp, "18 BL: Fascist Mass Spectacle," Summer 1993, 43: 89-125.

Alan Sinfield, "Private Lives/Public Theater: Noel Coward and the Politics of Homosexual Representation," Fall 1991, 36: 43-63.