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Music
What is at stake in music as a cultural practice? The musical artifacts of a given historical place or time provide evidence for prevailing beliefs and ideologies, and for the auditory elements at play in the development of cultural expression. The essays here discuss genres and individual works from literary, anthropological, sociological, philosophical, and political perspectives.
Katherine
Bergeron,
"A Bugle, A Bell, A Stroke of the Tongue: Rethinking Music in Modern French Verse," Spring 2004, 86: 53-72.
Katherine Bergeron, ed,
Music, Rhythm, Language,
special issue, Spring 2004, number 86.
Brent Hayes
Edwards,
"The Literary Ellington," Winter 2002, 77: 1-29.
William
Fitzgerald, "The Questionability of Music," Spring 1994, 46: 121-47.
Phil
Ford,
"Taboo: Time and Belief in Exotica," Summer 2008, 103: 107-135.
Lydia
Goehr,
"Radical Modernism and the Failure of Style: Philosophical
Reflections on Maeterlinck-Debussy's Pelléas et Mélisande," Spring 2001,
74: 55-82.
David
E. James, "Rock and Roll in Representations of the Invasion of
Vietnam," Winter 1990, 29: 78-98.
Jeffrey
Kallberg, "The Harmony of the Tea Table: Gender and Ideology in the Piano
Nocturne," Summer 1992, 39: 102-33.
Joseph
Kerman, "Representing a Relationship: Notes on a Beethoven Concerto,"
Summer 1992, 39: 80-101.
Eric
Lott, "Love and Theft: The Racial Unconscious of Blackface
Minstrelsy," Summer 1992, 39: 23-50.
Nathaniel
Mackey, "Other: From Noun to Verb," Summer 1992, 39: 51-70.
Greil
Marcus,
"Crank Prophet Bestride America, Grinning: The Case of David Thomas," Fall 2003, 84:
123-38.
Greil
Marcus, "Dock Boggs in Thomas Jefferson's Virginia," Spring 1997, 58:
1-23.
Susan
Stewart,
"The Ballad in Wuthering Heights," Spring 2004, 86: 175-197.
Marianne
Tettlebaum,
"Whose Magic Flute?," Spring 2008, 102: 76-93
Downing
A. Thomas, "Architectural Visions of Lyric Theater and Spectatorship in
Late-Eighteenth-Century France," Fall 1995, 52: 52-75.
Herve
Vanel,
"John Cage's Muzak-Plus: The Fu(rni)ture of Music," Spring 2008, 102: 94-128.
Bryan
Wagner,
"Disarmed and Dangerous: The Strange Career of Bras-Coupé,"
Fall 2005, 92: 117-51.
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