Colin Jones, "Plague and Its Metaphors in Early Modern France," Winter 1996, 53: 97-127.

Catherine Jurca, "Mildred Pierce, Warner Bros., and the Corporate Family," Winter 2002, 77: 30-51.

Thomas Laqueur, "Bodies, Death, and Pauper Funerals," Winter 1983, 1: 109-31. 

Thomas Laqueur, "Orgasm, Generation, and the Politics of Reproductive Biology," Spring 1986, 14: 1-41.

Jacqueline Lichtenstein, "Making Up Representation: The Risks of Femininity" (trans. Katherine Streip), Fall 1987, 20: 77-87. 

Jann Matlock, "Doubling out of the Crazy House: Gender, Autobiography, and the Insane Asylum System in Nineteenth-Century France," Spring 1991, 34: 166-95.

D. A. Miller, "Cage aux folles: Sensation and Gender in Wilkie Collins's The Woman in White, Spring 1986, 14: 107-36. 

D. A. Miller, "Anal Rope," Fall 1990, 32: 114-33.

Melani McAlister, "The Common Heritage of Mankind: Race, Nation, and Masculinity in the King Tut Exhibit," Spring 1996, 54: 80-103.

David Lee Miller, "The Father's Witness: Patriarchal Images of Boys," Spring 2000, 70: 115-41.

Susan L. Mizruchi, "Reproducing Women in The Awkward Age," Spring 1992, 38: 101-30.

Louis Adrian Montrose, "'Shaping Fantasies': Figurations of Gender and Power in Elizabethan Culture," Spring 1983, 2: 61-94.

Louis A. Montrose, "Idols of the Queen: Policy, Gender, and the Picturing of Elizabeth I," Fall 1999, 68: 108-61.

Louis Montrose, "The Work of Gender in the Discourse of Discovery," Winter 1991, 33: 1-41.

Frank Mort, "Scandalous Events: Metropolitan Culture and Moral Change in Post-Second World War London," Winter 2006, 93: 106-37.

Eric Naiman, "Hermophobia (On Sexual Orientation and Reading Nabokov)," Winter 2008, 101: 116-143.

Daniel Novak, "A Model Jew: 'Literary Photographs' and the Jewish Body in Daniel Deronda," Winter 2004, 85: 58-97.

Patricia Parker, "Othello and Hamlet: Dilation, Spying, and the 'Secret Place' of Woman," Fall 1993, 44: 60-95.

Joseph Pequigney, "Sodomy in Dante's Inferno and Purgatorio," Fall 1991, 36: 22-42.

Sandy Petrey, "Pears in History," Summer 1991, 35: 52-71.

Mary Poovey, "'Scenes of an Indelicate Character': The Medical 'Treatment' of Victorian Women," Spring 1986, 14: 137-68. 

Michael Rogin, "Kiss Me Deadly: Communism, Motherhood, and Cold War Movies," Spring 1984, 6: 1-36.

Karen Sánchez-Eppler, "Bodily Bonds: The Intersecting Rhetorics of Feminism and Abolition," Fall 1988, 24: 28-59.

Aris Sarafianos, "Pain, Labor, and the Sublime: Medical Gymnastics and Burke's Aesthetics," Summer 2005, 91: 58-83.

Elaine Scarry, "Injury and the Structure of War," Spring 1985, 10: 1-51.

Elaine Scarry, "Work and the Body in Hardy and Other Nineteenth-Century Novelists," Summer 1983, 3: 90-123.

James Schamus, "Next Year in Munich: Zionism, Masculinity, and Diaspora in Spielberg's Epic," Fall 2007, 100: 53-66.

Londa Schiebinger, "Skeletons in the Closet: The First Illustrations of the Female Skeleton in Eighteenth-Century Anatomy," Spring 1986, 14: 42-82.

Naomi Schor, "The Portrait of a Gentleman: Representing Men in (French) Women's Writing," Fall 1987, 20: 113-33.

Regina Schwartz, "Rethinking Voyeurism and Patriarchy: The Case of Paradise Lost," Spring 1991, 34: 85-103.

Eve Kosofsky Sedgwick, "A Poem Is Being Written," Winter 1987, 17: 110-43.

Marc Shell, "The Family Pet," Summer 1986, 15: 121-53.

Elaine Showalter, "The Death of the Lady (Novelist): Wharton's House of Mirth," Winter 1985, 9: 133-49.

Susan L. Siegfried, "Engaging the Audience: Sexual Economies of Vision in Joseph Wright," Fall 1999, 68: 34-58.

Alan Sinfield, "Private Lives/Public Theater: Noel Coward and the Politics of Homosexual Representation," Fall 1991, 36: 43-63.