On or About 1814: A Symposium on Literature in History
September 20-21, 2014
300 WheelerHall, UC Berkeley
Convened by Representations editorial board member Ian Duncan.
On or About 1814 brings together a group of scholars to mark the bicentenary of Walter Scott’s Waverley, published in July 1814, and other literary events associated with “that fated year” (Robert Louis Stevenson). Along with works published in Britain in 1814, participants explore a range of ways of thinking about historical dates and periods and what such data might mean for the study of literature. The format will feature short (15-20 minute) papers with plenty of time for discussion and a seminar-style workshop on Waverley and Jane Austen’s Persuasion.
Speakers include James Chandler (Chicago), Adriana Craciun (UC Riverside), Claire Connolly (Cork), Simon During (Queensland), Penny Fielding (Edinburgh), Rae Greiner (Indiana), Sara Hackenberg (San Francisco State), Yoon Sun Lee (Wellesley College), Ian Duncan (UC Berkeley), Deidre Shauna Lynch (Harvard), Ann Rigney (Utrecht), and Matthew Wickman (Brigham Young).
Full program and details to be announced shortly. Please address inquiries to Ian Duncan, email@example.com.
New from Representations editorial board member Todd Olson:
Yale University Press, May 2014
Beginning with his early works, the Italian painter Caravaggio (1571–1610) was intensely engaged with the physical world. He not only interrogated appearances but also experimented with the paint’s material nature. Caravaggio’s Pitiful Relics explores how the artist’s commitment to materiality served and ultimately challenged the Counter- Reformation church’s interests.
In addition to Caravaggio’s Pitiful Relics, Todd Olson is the author of Poussin and France: Painting, Humanism and the Politics of Style (Yale University Press, 2002). Other recent publications include “Markers: Le Moyne de Morgues in Sixteenth-Century Florida,” in Seeing Across Cultures in the Early Modern Period, ed. Dana Leibsohn and Jeanette F. Peterson (Ashgate, 2012) and “Reproductive Horror: Sixteenth-Century Mexican Pictures in the Age of Mechanical Reproduction” (Oxford Art Journal). He is Associate Professor in the History of Art Department at UC Berkeley.
Denotatively, Technically, Literally
The Literary and Its Outsides
Tuesday, April 1, 5–7:00 pm
Geballe Room, 220 Stephens Hall
Townsend Center for the Humanities
Margaret Cohen (Stanford University)
Ian Duncan (UC Berkeley)
Elaine Freedgood (New York University)
Cannon Schmitt (University of Toronto)
Stephen Best (UC Berkeley)
Kent Puckett (UC Berkeley)
Four contributors to the current special issue of Representations (No. 125, Winter 2014), co-edited by Elaine Freedgood and Cannon Schmitt, will offer reflections on language–denotative, technical, literal–conventionally excluded from critical reading and, thus, from “literature.” Discussants include Stephen Best (editorial board, Representations, co-editor of the special issue “Surface Reading,” No. 108, 2009) and Kent Puckett (co-chair, editorial board, Representations).
The Doreen B. Townsend Center for the Humanities, UCB
The Nineteenth Century and Beyond Working Group, UCB
The Florence Green Bixby Chair in English, UCB
The way we once learned history is now history.
Representations editorial board members David Henkin and Rebecca McLennan have just published a new US history survey, Becoming America: A History for the 21st Century.
Developed for students and instructors of the twenty-first century, Becoming America excites learners by connecting history to their experience of contemporary life. You can’t travel back in time, but you can be transported, and Becoming America does so by expanding the traditional core of the US survey to include the most contemporary scholarship on cultural, technological, and environmental transformations. At the same time, the program transforms the student learning experience through innovative technology that is at the forefront of the digital revolution. As a result, the Becoming America program makes it easier for students to grasp both the distinctiveness and the familiarity of bygone eras, and to think in a historically focused way about the urgent questions of our times.
Today in Paris!
David Bates, author of Cartesian Robotics, will be speaking in the session “L’Automatisation contra l’Autonomisation” at LE NOUVEL ÂGE DE L’AUTOMATISATION: Algorithmes, Données, Individuations at the Pompidou Centre in Paris. Bates’s contribution is one of several talks by international scholars, who will be discussing automation as it affects the the human relation to work, time, and space in the evolution of the digital environment.
The UC Berkeley Consortium on the Novel presents The Immigrant Novel in America Wednesday, November 13, at 4 pm in 315 Wheeler Hall (The Maude Fife Room) at the University of California, Berkeley. Presentations include “The Void and the Missing: Memory’s Trace in Monique Truong’s Bitter in the Mouth” by Karl Britto (UC Berkeley French and Comparative Literature), “The Future as Form: Imagining the Abolition of Social Categories in Ana Castillo’s Sapogonia” by Marcial Gonzalez (UC Berkeley English), and “Office Stories” by Colleen Lye (UC Berkeley English and Representations editorial board). Katherine Snyder (UC Berkeley English), respondent.
Washington, 1923. “Stamp Division, Post Office.” National Photo Company Collection glass negative, Library of Congress.
Paul Alpers, a founding member of the Representations editorial board and a broadly influential scholar who changed how a generation of readers thought about pastoral poetry, passed away on May 19, 2013. In his honor, Representations 124 features a collective remembrance by four of the original members of the editorial board and reprints Alpers’s fine translation of Virgil’s Eclogue V.
Resemblance did not come naturally to photography. Soon after it became a public medium in 1839, photography’s ability to produce resemblant images—and therefore portraits—was widely challenged. Proponents of photography quickly responded to those challenges by developing more complex concepts of the new medium. Jan Von Brevern, in his “Resemblance After Photography” (Number 123, Summer 2013), argues that photography played an important part in evolving debates on resemblance.
Charles Nègre, self-portrait in a miroir de sorcière, c. 1845-50 (details). Copyright Sammlung Herzog, Basel, Switzerland.