The Secret History of Diegesis

“The Secret History of Diegesis”: A Talk by Elaine Freedgood
MONDAY, MARCH 31, 5 PM – 7 PM (300 WHEELER HALL, UC BERKELEY)

picture of “The Secret History of Diegesis“: A Talk by Elaine Freedgood

ELAINE FREEDGOOD is Professor of English at New York University. Her books include Victorian Writing About Risk: Imagining a Safe England in a Dangerous World (2000) and The Ideas in Things: Fugitive Meaning in the Victorian Novel (2006). Both “The Secret History of Diegesis” and “Ghostly Reference,” just published in the Representations special issue Denotatively, Technically, Literally, are part of her current project,  Worlds Enough: Fictionality and Reference in the Novel.

Symposium: The Literary and Its Outsides

Denotatively, Technically, Literally
The Literary and Its Outsides
Tuesday, April 1, 5–7:00 pm
Geballe Room, 220 Stephens Hall
Townsend Center for the Humanities
UC Berkeley

Presenters:

Margaret Cohen (Stanford University)
Ian Duncan (UC Berkeley)
Elaine Freedgood (New York University)
Cannon Schmitt (University of Toronto)

Discussants:

Stephen Best (UC Berkeley)
Kent Puckett (UC Berkeley)
Four contributors to the current special issue of Representations (No. 125, Winter 2014), co-edited by Elaine Freedgood and Cannon Schmitt, will offer reflections on language–denotative, technical, literal–conventionally excluded from critical reading and, thus, from “literature.” Discussants include Stephen Best (editorial board, Representations, co-editor of the special issue “Surface Reading,” No. 108, 2009) and Kent Puckett (co-chair, editorial board, Representations).

Co-sponsored by:

Representations
The Doreen B. Townsend Center for the Humanities, UCB
The Nineteenth Century and Beyond Working Group, UCB
The Florence Green Bixby Chair in English, UCB

Pan-Optics Symposium at UC Berkeley March 6

 

Pan-Optics: Perspectives on Visual Privacy & Surveillance

March 6, 2014; Banatao Auditorium, Sutardja Dai Hall, 10:30-4:30

Advances in drone aircraft, networked cameras, and recent disclosures about the NSA’s international and domestic surveillance activities have stimulated public protests, outrage from activists, and new policy discussions among elected leaders. This symposium will highlight emerging perspectives on visual privacy and consider the state of the art from a variety of disciplines and professions, including technology, journalism, filmmaking and the arts.

Among the many presenters and panelists are Rebecca MacKinnon, Senior Research Fellow at the New American Foundation; Trevor Paglen, artist and social scientist; Ken Golberg, Faculty Director of the CITRIS Data & Democracy Initiative; and Kriss Ravetto, Director of the Mellon Research Initiative in Digital Cultures at UC Davis and author of the “Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance” (Representations 111, Summer 2010).

For further information and to register, visit bit.ly/pan-optices2014.

THE NEW AGE OF AUTOMATION: algorithms, data, individuations

Today in Paris!

David Bates, author of Cartesian Robotics, will be speaking in the session “L’Automatisation contra l’Autonomisation”  at  LE NOUVEL ÂGE DE L’AUTOMATISATION: Algorithmes, Données, Individuations at the Pompidou Centre in Paris. Bates’s contribution is one of several talks by international scholars, who will be discussing automation as it affects the the human relation to work, time, and space in the evolution of the digital environment.

 

 

Colleen Lye on “Office Stories”

The UC Berkeley Consortium on the Novel presents The Immigrant Novel in America Wednesday, November 13, at 4 pm in 315 Wheeler Hall (The Maude Fife Room) at the University of California, Berkeley. Presentations include “The Void and the Missing: Memory’s Trace in Monique Truong’s Bitter in the Mouth” by Karl Britto (UC Berkeley French and Comparative Literature), “The Future as Form: Imagining the Abolition of Social Categories in Ana Castillo’s Sapogonia” by Marcial Gonzalez (UC Berkeley English), and “Office Stories” by Colleen Lye (UC Berkeley English and Representations editorial board). Katherine Snyder (UC Berkeley English), respondent.

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Washington, 1923. “Stamp Division, Post Office.” National Photo Company Collection glass negative, Library of Congress.