Representations board member Stephen Best hosts event with Vincent Brown
On Friday, October 17, The Black Room and the Institute of International Studies will co-sponsor a talk by Vincent Brown, Charles Warren Professor of History and Professor of African & African-American Studies and the Director of the History Design Studio at Harvard University.
This presentation considers three graphic histories of slavery—a web-based animation of Voyages: The Transatlantic Slave Trade Database, a cartographic narrative of the Jamaican slave revolt of 1760–61, and a web-based archive of enslaved family lineages in Jamaica and Virginia—that illustrate how the archive of slavery is more than the records bequeathed to us by the past; the archive also includes the tools we use to explore it, the vision that allows us to see its traces, and the design decisions that communicate our sense of history’s possibilities.
The event will take place at UC Berkeley in the Maude Fife Room (Wheeler Hall 315) at noon.
Representations’ Best, Lye, and Otter in conversation with Kenneth Warren
On Friday, September 12, UC Berkeley English department faculty and Representations board members Stephen Best, Colleen Lye, and Samuel Otter will join Kenneth Warren, Professor of English at the University of Chicago, for a roundtable on Warren’s book, What Was African American Literature? (Harvard University Press, 2011). The roundtable will take place at UC Berkeley in the Maud Fife Room, 315 Wheeler Hall, from 12-2 pm.
On or About 1814: A Symposium on Literature in History
September 20-21, 2014
300 WheelerHall, UC Berkeley
Convened by Representations editorial board member Ian Duncan.
On or About 1814 brings together a group of scholars to mark the bicentenary of Walter Scott’s Waverley, published in July 1814, and other literary events associated with “that fated year” (Robert Louis Stevenson). Along with works published in Britain in 1814, participants explore a range of ways of thinking about historical dates and periods and what such data might mean for the study of literature. The format will feature short (15-20 minute) papers with plenty of time for discussion and a seminar-style workshop on Waverley and Jane Austen’s Persuasion.
Speakers include James Chandler (Chicago), Adriana Craciun (UC Riverside), Claire Connolly (Cork), Simon During (Queensland), Penny Fielding (Edinburgh), Rae Greiner (Indiana), Sara Hackenberg (San Francisco State), Yoon Sun Lee (Wellesley College), Ian Duncan (UC Berkeley), Deidre Shauna Lynch (Harvard), Ann Rigney (Utrecht), and Matthew Wickman (Brigham Young).
Full program and details to be announced shortly. Please address inquiries to Ian Duncan, email@example.com.
Godzilla: Restored Original Version!
Tonight at 8:55 in Berkeley at the Pacific Film Archive
2575 Bancroft Way
Before you go, read Joseph Jeon’s Neoliberal Forms: CGI, Algorithm, and Hegemony in Korea’s IMF Cinema, published in Representations‘ current special issue Financialization and the Culture Industry.
Denotatively, Technically, Literally
The Literary and Its Outsides
Tuesday, April 1, 5–7:00 pm
Geballe Room, 220 Stephens Hall
Townsend Center for the Humanities
Margaret Cohen (Stanford University)
Ian Duncan (UC Berkeley)
Elaine Freedgood (New York University)
Cannon Schmitt (University of Toronto)
Stephen Best (UC Berkeley)
Kent Puckett (UC Berkeley)
Four contributors to the current special issue of Representations (No. 125, Winter 2014), co-edited by Elaine Freedgood and Cannon Schmitt, will offer reflections on language–denotative, technical, literal–conventionally excluded from critical reading and, thus, from “literature.” Discussants include Stephen Best (editorial board, Representations, co-editor of the special issue “Surface Reading,” No. 108, 2009) and Kent Puckett (co-chair, editorial board, Representations).
The Doreen B. Townsend Center for the Humanities, UCB
The Nineteenth Century and Beyond Working Group, UCB
The Florence Green Bixby Chair in English, UCB
Pan-Optics: Perspectives on Visual Privacy & Surveillance
March 6, 2014; Banatao Auditorium, Sutardja Dai Hall, 10:30-4:30
Advances in drone aircraft, networked cameras, and recent disclosures about the NSA’s international and domestic surveillance activities have stimulated public protests, outrage from activists, and new policy discussions among elected leaders. This symposium will highlight emerging perspectives on visual privacy and consider the state of the art from a variety of disciplines and professions, including technology, journalism, filmmaking and the arts.
Among the many presenters and panelists are Rebecca MacKinnon, Senior Research Fellow at the New American Foundation; Trevor Paglen, artist and social scientist; Ken Golberg, Faculty Director of the CITRIS Data & Democracy Initiative; and Kriss Ravetto, Director of the Mellon Research Initiative in Digital Cultures at UC Davis and author of the “Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance” (Representations 111, Summer 2010).
For further information and to register, visit bit.ly/pan-optices2014.
Today in Paris!
David Bates, author of Cartesian Robotics, will be speaking in the session “L’Automatisation contra l’Autonomisation” at LE NOUVEL ÂGE DE L’AUTOMATISATION: Algorithmes, Données, Individuations at the Pompidou Centre in Paris. Bates’s contribution is one of several talks by international scholars, who will be discussing automation as it affects the the human relation to work, time, and space in the evolution of the digital environment.