What Does Free Indirect Discourse Mean Now?
a roundtable discussion
220 Stephens Hall, UC Berkeley
TUESDAY, NOVEMBER 29
Roundtable participants are UCB faculty Robert Alter (Near Eastern Studies and Comparative Literature), Dorothy Hale (English), David Marno (English), Alan Tansman (East Asian Languages and Culture), and Dora Zhang (Comparative Literature and English). Moderator: Victoria Kahn (Comparative Literature and English).
Alan Tansman is a member and former co-chair of the Representations editorial board. In addition to contributing several essays to the journal, Victoria Kahn has also edited two special issues for us: Early Modern Secularism (Winter 2009, no. 105) and Mimesis East and West (Spring 2006, no. 94). Dora Zhang‘s “A Lens for an Eye: Photography and Proust” was published in Representations 118 (Spring 2012).
Description Across Disciplines
Tuesday, November 15, 5 pm
D37 Hearst Field Annex
University of California, Berkeley
A symposium extending the ideas presented in the Representations special issue “Description Across Disciplines.”
Featuring speakers Mark Greif (founding editor n + 1, The New School), Mary Ann Smart (UC Berkeley), Georgina Kleege (UC Berkeley), Sharon Marcus (Columbia University), Heather Love (University of Pennsylvania), and Stephen Best (UC Berkeley).
Read the introduction to the special issue, “Building a Better Description,” here.
Sponsored by Representations, the Townsend Center for the Humanities, and the Florence Green Bixby Chair in English, UC Berkeley.
by Weihong Bao
Wednesday, Oct 19, 2016 | 12:00 pm to 1:00 pm
Geballe Room, 220 Stephens Hall, UC Berkeley
Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, in Fiery Cinema Weihong Bao constructs an archaeology of Chinese media culture. She grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject.
A major contribution to the theory and history of media, Fiery Cinema rethinks the nexus of affect and medium to offer key insights into the relationship of cinema to the public sphere and the making of the masses.
Weihong Bao is associate professor of East Asian Languages and Cultures and Film and Media at UC Berkeley. Her short essay “From Duration to Temporization: Rethinking Time and Space for Durational Art” will appear in the fall issue of Representations (the special issue “Time Zones: Durational Art and Its Contexts”), available next month.
After an introduction by Andrew Jones (East Asian Languages and Cultures, UC Berkeley, and Representations editorial board member), Bao will speak briefly about her work and then open the floor for discussion.
HIDDEN HITCHCOCK BY D. A. MILLER
a University Press Books event
University Press Books, 2430 Bancroft Way, Berkeley, CA 94704
THURSDAY, OCTOBER 13
5:30 PM — 7:00 PM
Hidden Hitchcock, D. A. Miller does what seems impossible: he discovers what has remained unseen in Hitchcock’s movies, a secret style that imbues his films with a radical duplicity.
Focusing on three films—Strangers on a Train, Rope, and The Wrong Man—Hidden Hitchcock shows how Hitchcock anticipates, even demands a “Too-Close Viewer.” Dwelling within us all and vigilant even when everything appears to be in good order, this Too-Close Viewer attempts to see more than the director points out, to expand the space of the film and the duration of the viewing experience. And, thanks to Hidden Hitchcock, that obsessive attention is rewarded. In Hitchcock’s visual puns, his so-called continuity errors, and his hidden appearances (not to be confused with his cameos), Miller finds wellsprings of enigma.
Hidden Hitchcock is a revelatory work that not only shows how little we know this best known of filmmakers, but also how near such too-close viewing comes to cinephilic madness.
Rope, dir. Alfred Hitchcock, 1948
About The Author
D. A. Miller is Professor of the Graduate School and the English Department at the University of California, Berkeley. His recent books include 8 ½ and Jane Austen, or the Secret of Style. In 2013, he was elected to the American Academy of Arts and Sciences. Miller has published on Hitchcock twice in Representations: “Hitchcock’s Understyle: A Too-Close View of Rope“ (121, Winter 2013) and “Anal Rope“ (31, Fall 1990).
Oct 7 – Oct 8, 2016
Faculty Club, University of California Berkeley
Featuring Representations editorial board members Alexei Yurchak and David Bates, along with Camille Robcis, Nima Bassiri, Ethel Matala de Mazza, Danilo Scholz, Rebecca Gaydos, and Stefanos Geroulanos
The relationship between biological concepts and political concepts is longstanding — the “body politic” has always been a dominant metaphor for theorizations of political community. However, organicist models of the state have been thoroughly tainted by 19th and early 20th century ideas of unity, homogeneity, and racial purity. Today, bio-politics is a ubiquitous frame for analysis, yet the biological dimension is often underdeveloped. This workshop takes as its starting point the idea that modern biological concepts provide important resources for thinking about organization, order, control, and other key political problems. Papers will explore new links between bodies and political configurations, on the ground and within theoretical discourses. For more information, visit the workshop web page.
Supported by the UC Berkeley Department of Rhetoric
On Friday, August 12, T. J. Clark will give one of two keynote lectures for the 24th Annual Conference of the North American Society for the Study of Romanticism (NASSR). The lecture, “Too Deep for the Vulgar: Hazlitt on Turner and Blake,” will take place at 6 pm in room 2050 of the Valley Life Sciences Building at UC Berkeley.
Clark is Professor Emeritus of Modern Art at Berkeley and was a long-time member of the Representations editorial board. His books and other writings, several of which found form originally in Representations, have influenced a generation of scholars.
The NASSR conference will take place from August 11 to 14 at various venues in Berkeley. More information and a full program are available at http://nassrberkeley2016.wordpress.com/.
Representations board members Stephen Best and Elisa Tamarkin, Associate Professors of English at UC Berkeley, will participate in an upcoming conference on “Maroons and World History.” The conference will take place on Thursday, May 5, at the Bancroft Hotel. Papers will be pre-circulated and registration is free, but required. More information and schedule details can be found here.
Other participants in the conference include Bryan Wagner (Associate Professor of English at UC Berkeley), whose essay “Disarmed and Dangerous: The Strange Career of Bras-Coupéé” appeared in Representations 92 (Fall 2005).
(AP Photo/Google, Connie Zhou)
Supported by a joint grant from Representations and the Townsend Center for the Humanities, UC Berkeley’s Center for Science, Technology, Medicine, and Society presents a discussion on the topic of “Algorithms in Culture.” At this event, an interdisciplinary faculty working group will share their reflections about the place of algorithms in their disciplines and research. The discussion will take place on Friday, April 29, at 10:30am in 470 Stevens Hall, UC Berkeley. The event inaugurates an ongoing conversation that will be pursued further in a day-long workshop on May 13.
While algorithms are a foundational concept in computer science, there is increasing interest about the roles algorithms play in politics, media, science, organizations, and identity in everyday life. As algorithms become more prevalent and visible in contemporary life, issues around their development and deployment will continue to rise, both in academia and public discourse. In recent years, there has been a growing academic literature taking algorithms as an object of cultural inquiry, as well as many conferences and workshops focused on studying algorithms from a more social scientific or humanistic perspective. In response to this growing approach to algorithms as culture, this interdisciplinary group of scholars will take up algorithms as an object of study in order to examine them as computation, culture and their role in the construction of the self in this event to develop a special section of a journal that explores this topic.
Representations’ Steven Justice will present the 2016 Gayley Lecture at UC Berkeley
HISTORICISM: A EULOGY
On Wednesday, APRIL 20, from 7:00 to 9:00 PM in 300 Wheeler Hall (Maude Fife Room), UC Berkeley
Steven Justice is Chancellor’s Professor of English at the University of California at Berkeley and author of Writing and Rebellion: England in 1381 (California, 1994) and Adam Usk’s Secret (Penn, 2015). He is currently writing a series of books on belief and historical inquiry.
In addition to his editorial work for Representations, Justice’s written contributions include “Did the Middle Ages Believe in Their Miracles” (103, Summer 2008) and “Inquisition, Speech,and Writing: A Case from Late-Medieval Norwich” (48, Fall 1994).
Todd Olson, Professor of Art History at the University of California, Berkeley and member of the Representations Editorial Board, will participate in a conference on “Difference/Distance: Picturing Race Across Oceans in the Eighteenth and Nineteenth Centuries.” The conference will take place on April 15 in 308A Doe Library, UC Berkeley; further schedule details can be found here.
In addition, the conference will feature papers by Darcy Grimaldo Grigsby (Professor of Art History at UC Berkeley) and Krista Thompson (Professor of Art History at Northwestern University). Grigsby and Thompson published related work in the Representations 113 special issue “New World Slavery and the Matter of the Visual” (Winter 2011), which they co-edited with Huey Copeland (Associate Professor of Art History at Northwestern University).