New from Jeffrey Knapp:
Oxford University Press 2017
Shakespeare’s plays were immensely popular in their own day–so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, author Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences.
Jeffrey Knapp is the Eggers Professor of English at the University of California, Berkeley, and a long-term member of the Representations editorial board. He is the author of several books, including An Empire Nowhere: England and America from Utopia to The Tempest (1992), Shakespeare’s Tribe: Church, Nation, and Theater in Renaissance England (2002), and Shakespeare Only (2009). His essay “Throw That Junk! The Art of the Movie in Citizen Kane,“ included in Pleasing Everyone, first appeared in Representations 122 (Spring 2013)
Representations editor Thomas Laqueur wins AHA’s Mosse Prize & McGill’s Cundill Prize for The Work of the Dead
Thomas W. Laqueur, Helen Fawcett Professor of History at UC Berkeley, has been selected as the winner of the George L. Mosse Prize by the American Historical Association and the Cundill Prize in Historical Literature by McGill University. Both honors are in recognition of Laqueur’s book The Work of the Dead: A Cultural History of Mortal Remains (Princeton University Press, 2015).
Calling him a “modern Charon,” the Mosse Prize committee noted:
Laqueur’s haunting book brilliantly tackles a fundamental historical question: how humanity relates to the dead. His magisterial account establishes that throughout the premodern and modern periods, the world has never been disenchanted; the dead have always had agency in defining what it means to be human.
Laqueur will be awarded the Mosse Prize at the AHA’s 131st Annual Meeting in Denver, Jan. 5-8, 2017. In winning the Cundill Prize, Laqueur also receved an award of $75,000.
More on the Berkeley News blog
by Weihong Bao
Wednesday, Oct 19, 2016 | 12:00 pm to 1:00 pm
Geballe Room, 220 Stephens Hall, UC Berkeley
Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, in Fiery Cinema Weihong Bao constructs an archaeology of Chinese media culture. She grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject.
A major contribution to the theory and history of media, Fiery Cinema rethinks the nexus of affect and medium to offer key insights into the relationship of cinema to the public sphere and the making of the masses.
Weihong Bao is associate professor of East Asian Languages and Cultures and Film and Media at UC Berkeley. Her short essay “From Duration to Temporization: Rethinking Time and Space for Durational Art” will appear in the fall issue of Representations (the special issue “Time Zones: Durational Art and Its Contexts”), available next month.
After an introduction by Andrew Jones (East Asian Languages and Cultures, UC Berkeley, and Representations editorial board member), Bao will speak briefly about her work and then open the floor for discussion.
Oct 7 – Oct 8, 2016
Faculty Club, University of California Berkeley
Featuring Representations editorial board members Alexei Yurchak and David Bates, along with Camille Robcis, Nima Bassiri, Ethel Matala de Mazza, Danilo Scholz, Rebecca Gaydos, and Stefanos Geroulanos
The relationship between biological concepts and political concepts is longstanding — the “body politic” has always been a dominant metaphor for theorizations of political community. However, organicist models of the state have been thoroughly tainted by 19th and early 20th century ideas of unity, homogeneity, and racial purity. Today, bio-politics is a ubiquitous frame for analysis, yet the biological dimension is often underdeveloped. This workshop takes as its starting point the idea that modern biological concepts provide important resources for thinking about organization, order, control, and other key political problems. Papers will explore new links between bodies and political configurations, on the ground and within theoretical discourses. For more information, visit the workshop web page.
Supported by the UC Berkeley Department of Rhetoric
On Friday, August 12, T. J. Clark will give one of two keynote lectures for the 24th Annual Conference of the North American Society for the Study of Romanticism (NASSR). The lecture, “Too Deep for the Vulgar: Hazlitt on Turner and Blake,” will take place at 6 pm in room 2050 of the Valley Life Sciences Building at UC Berkeley.
Clark is Professor Emeritus of Modern Art at Berkeley and was a long-time member of the Representations editorial board. His books and other writings, several of which found form originally in Representations, have influenced a generation of scholars.
The NASSR conference will take place from August 11 to 14 at various venues in Berkeley. More information and a full program are available at http://nassrberkeley2016.wordpress.com/.
Representations board members Stephen Best and Elisa Tamarkin, Associate Professors of English at UC Berkeley, will participate in an upcoming conference on “Maroons and World History.” The conference will take place on Thursday, May 5, at the Bancroft Hotel. Papers will be pre-circulated and registration is free, but required. More information and schedule details can be found here.
Other participants in the conference include Bryan Wagner (Associate Professor of English at UC Berkeley), whose essay “Disarmed and Dangerous: The Strange Career of Bras-Coupéé” appeared in Representations 92 (Fall 2005).
Representations’ Steven Justice will present the 2016 Gayley Lecture at UC Berkeley
HISTORICISM: A EULOGY
On Wednesday, APRIL 20, from 7:00 to 9:00 PM in 300 Wheeler Hall (Maude Fife Room), UC Berkeley
Steven Justice is Chancellor’s Professor of English at the University of California at Berkeley and author of Writing and Rebellion: England in 1381 (California, 1994) and Adam Usk’s Secret (Penn, 2015). He is currently writing a series of books on belief and historical inquiry.
In addition to his editorial work for Representations, Justice’s written contributions include “Did the Middle Ages Believe in Their Miracles” (103, Summer 2008) and “Inquisition, Speech,and Writing: A Case from Late-Medieval Norwich” (48, Fall 1994).
Todd Olson, Professor of Art History at the University of California, Berkeley and member of the Representations Editorial Board, will participate in a conference on “Difference/Distance: Picturing Race Across Oceans in the Eighteenth and Nineteenth Centuries.” The conference will take place on April 15 in 308A Doe Library, UC Berkeley; further schedule details can be found here.
In addition, the conference will feature papers by Darcy Grimaldo Grigsby (Professor of Art History at UC Berkeley) and Krista Thompson (Professor of Art History at Northwestern University). Grigsby and Thompson published related work in the Representations 113 special issue “New World Slavery and the Matter of the Visual” (Winter 2011), which they co-edited with Huey Copeland (Associate Professor of Art History at Northwestern University).
Stephen Greenblatt, founding co-editor of Representations and John Cogan University Professor of the Humanities at Harvard University, has been named the 2016 Holberg Prize Laureate. The prize, awarded annually by the Norwegian government, is given to a scholar who has made outstanding contributions to research in the arts and humanities, social science, law or theology. Previous laureates include Julia Kristeva, Jürgen Habermas, Natalie Zemon Davis, Manuel Castells, Bruno Latour, and Marina Warner.
“His scholarship has had an immeasurable impact on the practices of literary studies, history and cultural criticism, well beyond his own field of expertise,” noted the Holberg Committee. “Greenblatt has provided us a vocabulary through which we can approach the task of understanding our times and its history. His work has been animated by the idea of life as art, and art as revealing something important about life.”
An award ceremony will take place in Bergen, Norway, in June 2016, to honor both Greenblatt as the Holberg Prize Laureate, and Nils Klim Prize laureate, Sanja Bogojević, Senior Lecturer at Lund University.