A talk by Johanna Drucker
Monday, October 21, 2019, 5-7 PM
The Book Club of California
312 Sutter St., Ste. 500, San Francisco
Ilia Zdanevich, known as Iliazd, was a Russian Futurist writer, typographer, and book designer who moved to Paris in 1921, published the first anthology of experimental visual and sound poetry in the late 1940s, and became a producer of livres d’artistes until his death in 1975. His books included collaborations with many celebrated modern artists—Joan Miró, Pablo Picasso, Max Ernst and others—and are much sought after by bibliophiles and collectors. But does appreciation of the books depend upon information about his life? And what are the practical and critical challenges in constructing a biography? What is the relationship between archival evidence and narrative? How do we read an individual life in relation to enormous forces and events of history (Revolution, world wars)? What taboos and lines of privacy need to be respected and when? What relation does the constructed persona of a biographical subject have to their work? The recently completed, Encountering Iliazd: Memoir of a Biographical Project, addresses these and other issues and forms the case study for considering these questions more broadly.
Johanna Drucker is a writer, scholar, and artist who began making books in the 1970s. Her work is represented in major collections and archives. She has published widely on topics related to the history of the book, visual poetry, digital humanities, and graphical forms of knowledge production. Titles include: The Century of Artists’ Books (Granary, 1994), The Alphabetic Labyrinth (Thames and Hudson, 1994), SpecLab (Chicago, 2009), Graphesis (Harvard, 2014), and Downdrift (Three Rooms Press, 2018).